Saturday, 14 January 2023

Running Sessions some notes for Shallal facilitators

 So many ways in - to work!  ( these are notes i will return to edit them )

much of it is instinctive...

lets start with the beginning

The environment 

you and the space

You

How are you? try to be aware, don't bring 'baggage' to the time, be honest and be there for others

Phil and i used to give ourselves 5 mins download on the way into work, we both had young children at the time, so life was hectic.

How is your health? mental, physical, psychological, emotional, faith, etc....develop some good start the day routines and support networks...and ....

Trust the process, as long as you can be there and get out of the way!  ie: Yesterday for various reasons i nearly didn't work the evening but i got there and all went well, it was a joy!

Respect is key, everyone deserves respect and understanding.

I have sliding scale 1-10 if i hit 10 i can't communicate! so i try to catch myself between 3-7 warning lights i'm not happy with a dynamic and need to do/say something

Reflective practice: what did i learn? what could i do better next time?

Joy fun is infectious... if you like the activity, if you like the people...

Welcome: always meet and greet and begin and end as clearly as possible

if needed chat to people to get understanding before or after, be available, i personnally don't communicate much out of sessions, i leave work in work, but am available if needed to support attendance/development etc but not as a norm

a good session is sufficient and other things grow from it, outside it


so that's you and more and now The Space

it has to accessible

you need to check it carefully and know it 

Risk Assessment made and shared

but also just Session activity awareness and peoples needs, move things and point out nicely if needed

In the moment is your key tool, in time you gain confidence in this

each space brings its own dynamic and gifts, use it, pillars, flooring

Last night we are in a church with... pillars, chairs stacked, took some to use for props and to cover ridges in floor for safety, aisle to be moved down - all sorts

Use the space

Position yourself well, where you can see entrance and exits and people best ( learnt this from working in big institutions and important personnel and group safety)


Workshop

The Space and People are your materials ( as is the music/props/materials in dance/art )

you - space - people are a triangle and this lands into a square with suggestions/materials


Inclusive communication, recognition, respect

The person has made an effort, they are there in the room. This might be all they can manage or even for them to stay might be a huge effort. It is person centred but also community, Third Way Patrick Geddes, really helps with this: not all collective, not all individualisation and this dynamic has some ground rules but also is in the moment. Person and Community 

The person has come to a community group.

https://youtu.be/De1Fd5T97MA

when suggesting an activity only say what's needed 'less is more' and let people say if they can't follow watch body language and responses and adapt eg.simplify explanation or answer their confusion 

Offer inclusive ways to be involved and adapt your suggestions so everyone can be involved/included, don't do something you can't adapt, this is where your creativity comes in and the challenge is for you, not the participants, you are paid to run an inclusive session, it's your responsibility for them to feel ok, we all can often feel challenged and uncomfortable in creativity, so your job is to help with that! and make it accessible, fun and possible! - high ideals - see artist statement!! 

https://shallal-arts.blogspot.com/2013/01/jo-artistic-statement.html

but don't damp down, just simplify or expand parameters, your aim is for everyone to develop and stretch themselves, including us, we are all learning. exploring together but you are there for them and your good feeling is an extra but also a necessary component - paradox - hold both!

don't over focus on someone, let them go at their pace/timing, but also offer encouragement - these are the in the moment decisions.

https://youtu.be/dajN4pELOQU


Somewhere else on this blog is 

Structure Stimulus Suggestion

also

Enjoyment Enthusiasm Ecstasy


Returning to Workshop

consider

the dynamics and components of your art form

the skills, strengths, interests and areas to stretch of the participants

observation is key as there is nearly always something going on to build on and it's a collaboration of your interests and theirs

you need enough structure to fall/rest back on and also be able and willing to let got of it to follow something more interesting the group is giving you, it's a collaborative dance of structure and spontaneity


Have a good day!

The above doesn't go into detail as i feel if the philosophy/attitude is good then the rest follows... i'm always happy to chat detail or examples and session structure

Also each of us facilitates from ourselves "Be Yourself" is advice i've heard from 2 inspiring sources.



 

Friday, 13 January 2023

Sponsored Dance

 Good to be back1

Traditionally Shallal Dance Theatre start after the Christmas break with our Sponsored Dance, 5 hours of dancing, this year many people were unwell and unable to join us, but we carried on and had a good time, stretching out, jigging about and generally limbering up for the new term and having fun. We had 8 guests drop in which was wonderful, and Zoe and Jo L on zoom with us for the last hour.

3 or more fabulous unexpected dances and sharing favourite dance tunes!

Barbara did an Irish jig!

Toby and Kyle captivating chair dance 
Katherine foreground and Demelza in green dress, came along to renew our vigour for the last part!
                                                                      thanks to Colin for photos




Saturday, 7 January 2023

Shallal Studios feedback for Underworld from Feast

 Shallal Studios


Hi Guys

What a brilliant evaluation..and what a journey you have been on with Underworld. It seemed everything exceeded expectations. Great to see the synergies with other FEAST projects too.

You are doing such important work and bringing neurodiversity in to the mainstream is ground breaking. Huge respect for all you are achieving
All the best
Rose


Felt the need to share this as often the focus on this blog, is the areas i work in, and we miss the detail and stories from the Studio, Community groups and Sketchbooks.

The ebooks from the project are available on https://www.smashwords.com/profile/view/Shallalstudios





Friday, 16 December 2022

TheThird way podast Jamie Moran

 My Citizen Journalism course finished on Tuesday.                                                                                       It has been really informative and enjoyable and although i love the conversations, already i miss the world of the arts!

I'm wrapping up for Christmas and this came in today from Jamie.

I shared the beginning of Jamie's talk with our group on our last session together and they enjoyed it.

15nov22

Tuesday

 

My friends Jo and Peter Willis go back a long way..

Jo [Bird, in Cornish] does a podcast wherein she interviews people.

She and I did this podcast of 1 hour, the link for which is below in blue.

It is on ‘The Third Way Beyond Communism and Capitalism.’

It draws upon the Scottish visionary Patrick Geddes and Red Indian sources, with a touch of Taoism and Judaism.

 

Patrick Geddes and the Third Way was brought to my attention by Basil Wrugh many years ago.

The Third Way arose in the context of the city, yet it describes what is special about the close to nature Red Indian, Indigenous, social, cultural, political, spiritual, set-up.

Indigenous societies never split into Left and Right bc they include the best of the Right [person, freedom] with the

best of the Left [community, solidarity], in a higher unity.

When the ‘necessary contraries’ split apart, each becomes its worst case.

Only in harmony with the other opposite does each opposite become its fullest case.

In the Third Way, the opposites harmonise yet each becomes itself, not a watered down mush in the middle.

Indigenous societies had immense personal freedom and immense communal solidarity.    

 

hoka hey

jamie

Thursday, 8 December 2022

Besieged by Beauty - from Dec 1.

 Besieged by Beauty.

Sunny bright light winter days after days of stormy heavy rain.

Nicky sent me some of Lily's illustrations/paintings for Nicky's Isabella Mouse story.


I'm enjoying Citizen Journalism course but sad to be missing Zoom art and dance as there are some great projects on the go!


Then Tom Retchford who has just joined Shallal 2 sent me a beautiful poem.


And I have been on zoom with Arinda from Uganda listening to 2 poems


thought on conferences, systems change and rehearsals

 


Conferences i'm catching up on... this time

System Innovation Initiative 

Making The System Shift Learning Festival

https://www.systeminnovation.org/learning-festival-2022-ressources


good quotes from it


“the best thing we can do is to share the power and control that we have, in a way that empowers people or enables people in place to design what the future looks like… [it’s] localised, strength based, and Indigenous led, building on what works for people.” – Angie Tangaere

“All things are subject to interpretation. Whichever interpretation prevails at any given time is a function of power, and not necessarily truth.” – Beth Smith


I'm at home missing a Force of Nature Climate Cafe at Dark Pony Coffee and I missed the first Peoples Assembly at Falmouth & Exeter University campus - 81 people!

However have finished my hand ins for Citizen Journalism and made some progress with background needs of next performances and enjoyed a really nice time at Shallal 2 with the second half full of nibbles and mulled drinks and even a visit from Santa - thank you Shane!


So... 

Shallal continues it's mission, enabling and promoting Access & Equity in the wonderful meeting ground of creativity...

 

and we are processing the conversations/podcasts with friends and learning how to best go forwards in such critical times that we can't ignore...


Culture and Creativity are an important voice in Innovation and Communication



Eden Projects latest advert of 'Climate Positive' sounds good so maybe need to talk to them?

i still the need to hear more solutions, but the system is broken? 

is it too broken for many solutions to be implemented and to be accepted?

if they don't create enough profit? 

how do we positive systems change?



"Caroline Mason from the Esmée Fairbairn Foundation remarked:

“Something has to flip. We have to shift deep cultural norms within the financial system.”

- Making The System Shift Learning Festival



Just listened to research reports relating to Climate Justice and young people and Audiences and at Culture Declares Emergency's ENERGY FOR CHANGE


"What do audiences want cultural organisations to do around the Earth crisis? ... speakers shared the latest research and examples of practice as we open up discussion on how we can join up actions for sustainability with work for climate and social justice."


Impressed by Exeter and Falmouth university students involved in...

https://novaramedia.com/2022/12/06/students-are-occupying-schools-and-universities-to-protest-climate-breakdown/



Rehearsal notes

At present in our rehearsals research, we are using some established protest songs? gathering our perspectives, workshopping to incorporate new performers, waiting, trusting the process ( but not myself ) new work is coming in to support our many voices...

I'm struggling with how to find the right pitch and voice, it's getting clearer but slowly and our first show /event could be 4th March so we have to speed up and pull it together, but no too tight, in the new year.

Framing narrative? Open improv performance style, and ?

at present i'm looking at tryptch style pieces/themes that can be moved around,

rearranged for large shows, pop ups, small events


Satelite stories seems to fit the lifebelt/doughnut economics model for looking at such epic stories and ecosystems, all entwined


Started this to look at threads and themes last night and ask questions

 and looked at it again this morning and now heading to prepare the day and drive to Newlyn for Shallal Dance Theatre then St Austell for pilot group - really hoping that the fund we wanted to apply to to extend our pilot groups hasn't closed early :( 

Getting older and tired of chasing funding, although now we have such a good team in place, so usually my writing efforts aren't needed unless a project that is small and close to my heart which extending the pilot project is

and Arts Lab which we have just applied to second round for.


Always cheer up when in the room of the wonderful creativity and community of Shallal Dance Theatre, so I look forward to that and the sun is just rising. accompanied as always by bird song.





Friday, 2 December 2022

Podcast with Daphine Arinda Notes and poems

 Podcast with Daphine Arinda


  ;

The podcasts are based around ...


“At this time in our history/global crisis, i would like to explore 3 questions:

What inspired you?

What are you doing now?

What would you do/support/invest in if you were a philanthropist now?

Arinda's notes and poems


One thing I would campaign for meaningfully is the celebration of scrap and bottle collectors in my Country Uganda. These people are devoted cleaners of mother earth, ridding her of plastics and metals that are increasingly eating up my soils and clogging my waters. They are underpaid and yet the benefit of the work they do is immense. They move around with sacks and huge bags picking up after careless busy bodies. Without contracts they feed the supply chain of recycling plants.

 

The people who Collect bottles and metal scrap are usually street children. These children have no parental love and care, they are homeless and this is one way to make a little money to buy some food.

 

If I was able to, I would campaign for the recognition of their labour as work that deserves to be paid generously. I am campaigning for them to be recognized as protectors of mother earth, for them to be awarded honour and accolades, to be consulted and considered in the development of policies and laws. They need to be visible in the line of advocacy towards climate justice.

 

The second thing I am really passionate about is poetry and specifically, I am talking about poetry as the language of nature. We should armour ourselves with a language that speaks to humanity about their habitant earth; a habitant which sustains them. We have forgotten how dependant we are on mother earth and poetry can create this connection. Engaging in poetry as an art of writing causes us to seek out nature often for ambiance. A quiet green spot can inspire free thought and creativity. Because many of us are not writing poetry, we miss out on this desire for serenity so we don’t know the cost of cutting down trees, destroying the hash of the river.We have not hunger for quiet or the colour green because crafts that get us into such spaces are forgotten or not   equated the necessary centrality in our education, politics and cultural expression.

 

Listening to or reading poetry is another way we can reconnect with nature and be encouraged in our drive for fair use of the Earth’s givings like minerals, oceans, forests and islands. I use poetry to inspire environmental justice.

 

Here is a poem about Women’s. relationship with land, how their right to mother earth is disenfranchised by patriarchy, colonialism and capitalism. Women are inheritors of the land yet the laws in most countries refuse them land ownership and equal rights to access  land. The poem is titled Goddess of the Earth. In this verse I call forth African deities of the Earth Queen Ati of Djibouti , Atete of Ethiopia, Wagar of Somalia, Mumbi of kenya, Kitaka of Uganda and Abuk of Sudan.

 

 

GODDESS OF THE EARTH

 

The equal rights promised by our constitutions

Are only ‘a sorry’ from a faulted intuition

You’d think that it is only natural

To remember that men and women are equal

They all breath using lungs

They have limbs to walk

And mouths to talk

And even if they did not walk or talk;

Because they breath- that is enough.

 

We use the law and policies

Like borrowed candles

That burn only for a while

But cannot be used completely

We call earth mother

But look what we’ve done here-

Pollution in the air and water.

We love our mothers

Yet treat women as weaklings

 Things to be despised and deprived

 

Queen Ati of Djibouti

Atete of Ethiopia

Wagar of Somalia

Mumbi of kenya

Kitaka of Uganda

Abuk of Sudan

The deities of land are women

Yet women are the most dispossessed of land!

 

Shall we comply with a pile of lies

Laid out in words

On sheets of paper

Ratified and passed by men

Yet the Goddesses tell us

That women are the inheritors

 of earth

And that is not selfish

Because women love their children

And men are women’s children.



GASIYA
Pesticides have robbed butterflies of their homes and plants don’t flower anymore.

Our soils are awash with non-bio degradable grain
This is not Biology!
This is “sort your garbage!
Because tea pots are being recycled from medical waste and the toxins rattle in the belly like snakes

For each breath taken carcinogens are the token…
- Black fumes
- White fumes
I can’t breath…

Rest in Peace flood victims in Bwaise,
Did I say Kyambogo too?
Rest in Peace fresh water without zinc, mercury or lead.
Rest in Peace Good roads:
robbed of its way,
the silver blade digs a away through our roads.

Subbi?
Xenson,
Is there art in Gasiya?
Can we recreate each piece of plastic into a centre piece
For our tables when we’ll dine on the benefits of Waste management?

Flowers in forests
Cannot be seen at the canopy
Down below
They glow
And only those who crawl
Can see their glory.

Until Land fills
And recycling plants
Are depots of compost
We shall only see a forest of waste
Waiting to consume us.
Can we crawl for the almighty Compost
That awaits to bless our fields and give yield to our crops?